Indiana Horror Review 2019

Contents

Mother of Nothing by Mike Jansen
Birdie by Dona Fox
A Walk in the Woods by James Michael Shoberg
Dead Feeling by Trevor Hallam
Just Another Sweltering Day in Traffic by Thomas M. Malafarina
Let me be your guide, this day by Joy Ruijmgaart
A White Farewell with a Splash of Red by Sheldon Woodbury
Destruction at Noonday by Scath Beorh
The Mixed Media/ Anatomy/Physiology Textbook by C. L. Hesser
Oh, Mommy, Mommy by James Michael Shoberg
Black Ice by John Stanton
Rituals of waited love by Joy Ruijmgaart
Mementos by Guy Anthony De Marco
You Ain't Goin' Nowhere by Christopher Hivner
Marrow-Minded by James Michael Shoberg
Last Call by Sheldon Woodbury
The Body Under the Bridge by Wendell Cooper
Piecework by Cindy O'Quinn
The Wax Egg by RJ Meldrum
Of the Dark by Trevor Hallam
Drinking Problem by James Michael Shoberg
Night Harvest by Justin Hunter
Secret of the Eel by Mathias Jannson
That Which We Covet by Joe X Young
Plague Dogs by Rob Teun
The River Ghost by C. L. Hesser
My Chocolate Bunny by James Michael Shoberg
The Trainee by Garrett Rowlan
Trimmings by Rob Teun
The Falling Stars by Brian Glossup
The Warning by Maria Mitchell
Cupid's Relative by David S. Pointer
Indy Under Ground by David S. Pointer
Overly Social Extremism by David S. Pointer

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Not One of US #62

Contents:

Bark, Blood, and Sacrifice, by Alexandra Seidel
Maudit (poem), by Sonya Taaffe
The Mourner’s Mirror (poem), by Sandi Leibowitz
The Brief Day, the Long Evening, by E. K. Wagner
Deflation (poem), by E. H. Lupton
The Escape Maps of Others (poem), by J. J. Steinfeld
The Mummy Tree of Shinjuku Gyoen, by Egg Johnson
Forgery (poem), by Neal Wilgus
A Good Mother, by Tim L. Williams
Shore Skin (poem), by Mike Allen and S. Brackett Robertson
Eyelash, by K. M. Kendrick
Huaraches (poem), by E. H. Lupton
And Some Born Dead (poem), by Jennifer Crow
Art: John Stanton

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Not One of Us #61

Contents:

Chokecherry Lounge, by Linda Lea Wiley
The Three Mothers (poem), by Gemma Files
Waiting Room (poem), by Holly Day
Eight Affirmations for the Revolting Body, Confiscated from the Prisoners of Bunk 17, by Gordon B. White
The Corpse Boys (prose poem), by Christopher Collingwood
Taiga, by Lisa Mason
A Book Is a Tomb and Words Are Souls (poem), by Holly Lyn Walrath
Clone Cinquians (poem), by SP Mulroy
Nightmare Designer, by Brent Parkes
All’s Well (poem), by Neal Wilgus
Grow Me a Field of Lilies (poem), by Elisa Subin
From Lima to Beijing (poem), by Sonya Taaffe
Art: John Stanton

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Else

Contents:

Smiley Wakes Up, by Donna Scott
Epic Cycle (poem), by Sonya Taaffe
The Bramble Path You Follow, by Zane Mankowski
Memorial Day (poem), by Kent Kruse
In the City Under the Sea, by Caspian Gray
The Tyndall Effect (poem), by Victoria Nordland
Open Up (poem), by Neal Wilgus
Art: John Stanton

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Not One Of Us #60

Contents:

Persistent Pieces, by Matthew Lyons
The Quiet Song (poem), by Alexandra Seidel
Fruit in Its Season, by Rob Francis
Midas (poem), by Gwynne Garfinkle
Mutter, by Sara Beitia
The Midden Wall (poem), by Aurea Kochanowski
Sinking, Singing, by Gwynne Garfinkle
The River Delivers Its Commission (poem), by Sonya Taaffe
The Concrete Child, by Mat Joiner
Suck (poem), by Shannon Connor Winward
On Mercury (poem), by David C. Kopaska-Merkel
The Empty Chair, by Ruth Asch
Barkskin (poem), by S. Brackett Robertson
Our Lady of the Tarpaulin, by Steve Toase
Nostalgia/Νέκυια (poem), by Sonya Taaffe
Art: John Stanton

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Akaso V50 Pro Action Camera

(Click on a photo for a larger version.)

Over the past twelve days, I’ve put my Akaso V50 Pro Action Camera through a lot, and I still have a few features left to explore. I’m impressed by the exceptional quality of both the video and the still frame photography this little camera offers. I’ve attached the camera to both side-door windows of our car and driven around shooting test video – the above photo, a single-frame grab from the video, demonstrates the quality. My personal specialty as a photographer, is B&W art, and I’m pleasantly surprised at the exceptional quality of the still-frame shots I’ve gotten so far – even the B&W filter is better than I had expected, both crisp, and nicely toned.

The Akaso comes with a nice assortment of attachments and accessories; it challenges the imagination to come up with unique places to take a camera. Particularly useful is the wristwatch-style remote control.

If you decide to purchase one, be sure to read through the manual and familiarize yourself with the features of this camera. The time-lapse capability is a lot of fun, if you have children or pets.

My only problem-the latch on the waterproof case broke when I tried to close it, a few days after the camera arrived. I left an email to customer service, seeking to replace the latch (maybe they’ll make the next latch out of aluminum?). A representative replied about an hour later, and sent me a new case, which has already arrived.

I researched action cams for two weeks before ordering, and now I’m convinced that you can’t beat this camera at anywhere near the price – or the customer service.

 The Akaso V50 Pro on Amazon

Update, July 22, 2020 – almost two years now, and I’m still blown away by this little camera. Last summer, I strapped it to my forehead and walked around the Indiana State Fair for hours, with it snapping a shot every 5 seconds – and easily strung them together into a high-quality time-lapse movie. Yesterday, I used a magnetic mount to fix it to the roof of my car and drove around my old neighborhood. I take it on professional shoots, as well. Movies, time-lapse, great still shots – I love this camera! 😊

Not One of Us Issue #59

Contents:

The Trumpet Man, by Craig Rodgers
The Great Fire (poem), by Sonya Taaffe
Passing Through, by Tamzin Mitchell
When the Graveyard Burned (poem), by Neal Wilgus
The House Beneath (poem), by Alexandra Seidel
The Women Around Achilles (poem), by Sonya Taaffe
Unwritten Songs, by Tim Jeffreys
Coulrophobia (poem), by Lee Nash
Mr. Biscuit (poem), by Jessica Amanda Salmonson
The Final Four (Suicide Rock), by Stephen L. Antczak
Zero Dream (poem), by F. Brett Cox
A Last Meal, by Nicole Tanquary
Return to Womb (poem), by Stephanie M. Wytovich
A Haunting (poem), by Davian Aw
Art: John Stanton

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